In writing this bio I realized several
things: 1. I have been making quilts for
a LONG time, 2. I have WAY too much
fabric and it keeps growing; 3. My
enjoyment comes from sewing together little pieces of fabric, often randomly. I do NOT like to quilt the pieces; 4. I can only follow patterns so far and then
something goes awry with good or sometimes bad results. This is why I stopped sewing my own clothes
as soon as I had a real job.
My first quilt was made for my brother in
1971.
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My first quilt |
My second quilt was made for a
cousin’s birth in 1972.
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Second quilt -A Faraway Land To Dream On. |
It was published
in
The McCall’s Book of Quilts.
Both these were machine appliquéd and tied.
McCall’s asked if they could machine quilt my
cousin’s for publication.
This was my
introduction to machine quilting.
I had
no idea what I was doing when I started quilting.
No one else in my family quilted—my mother
started 20 years later.
My inspiration came
from a friend, Nancy Erickson, who made stuffed fabric forms for her MFA sculpture
class.
I also had an art instructor, Dana Boussard,
who worked with fabric.
The Rainbow Quilt
from 1975 was published in
Better Homes and Gardens Applique.

It was my first larger piece and a
“quilt as you go” experiment as I didn’t how to quilt something large. Plates and bowls were used to draw the curves
on the fabric. There were no rotary
cutters or acrylic rulers. An LP record
jacket was my square.
To help pay for architecture school I sold
children’s quilts at craft fairs in the 1970’s.
I escaped that venue by finding a real job on graduation, but I never
stopped quilting. I am way behind on the
“quilting” part but feel an obligation to finish them myself. During the pandemic piecing is my go-to for reducing
anxiety. Recently I produced 57 rectangles
of varying potholder sizes. Some would call this mania. I have a stockpile of 20 similar potholders
waiting for binding, the thing I dislike even more than quilting.
Several workshops over the years have inspired
me. Nancy Crow was a primary influence
as was a Maiwa workshop by three Gee’s Bend quilters. African American quilting is amazing. I have used some of their ideas such as, if
something isn’t working, “cut it down the middle and send it to the other
side.” Other workshops were led by
Valeria Goodman, Jean Wells, Pamela Allen, and Krista
Hennebury from Vancouver.
In looking forward I have various
“collections” that beg piecing; linens, denims, three large containers of wool,
vintage fabrics, neckties, fabric from my childhood clothes made by aunts and
my grandmother, and so on. Plus, all
those tops to be quilted. I need to live
a very long time. And I am NOT buying fabric
anymore.
Enjoy the gallery of quilts below. Many of them are still works in progress.
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Green Batik
|
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Batik backing |
 |
Four patch stripe |
 |
Eleanor's Quilt |
 Gee's bend workshop |
 | Landscape |
|
Ugly fabric
 Light Stripes
 Maine Quilts
 Maiwa Quilt in Progress
 Maiwa Quilt
 Random blocks
 Reworked Blue
 Pattern Blocks Strips |
2 comments:
That was fabulous, Linda. It’s so nice to learn more about you. Hopefully you can do a show until one of these days in person.
Linda, love your unique style. It flavours your quilts.
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